Tradurre l’audiovisivo, il fumetto, il teatro: non errori tra contraintes e immediatezza

Abstract

In this contribution, I will draw on my experience as a translator of the textual component of plurisemiotic objects (i.e., creations that are received by the user through more than one channel: visual, aural, iconic, textual) in three different media: cinema, theatre, and comics. After a brief introduction, I will illustrate my point of view with the help of some examples.